A slope of the mountain Shatashringa. A mother sits with her infant asleep in her lap, and at the sound of a tiger in the undergrowth she springs to her feet without thinking. The child slips, falls, and strikes the rock of the mountain, and the Adi Parva of Vyasa’s Mahabharata records what happened next: his body, hard as the thunderbolt, took no hurt at all; instead the rock broke into a hundred fragments beneath him. This is Pandu’s second son by the old rule that lets a husband who cannot father children name the father. At Pandu’s bidding Kunti had called the wind-god Vayu with the mantra the sage Durvasa gave her as a girl, and had asked him for a son of great strength and large limbs, a son who would crush the pride of everyone. A voice from the sky announced at his birth that he would be first of all in strength, and on that same day, in Hastinapura, Duryodhana was born. The whole story of Bhima runs between those three facts: the strength that was asked for, the rock that broke, and the enemy born the same day.
In Hastinapura Duryodhana tried to drown him, and Bhima came back from the realm of the nagas stronger than before; Duryodhana mixed poison into his food, and he digested it without harm. After the house of lac, on a night in the forest, the story gives him his first great scene. His mother and his four brothers are asleep, and Bhima is sitting awake. The sister of the rakshasa Hidimba has come to kill them all and falls in love with him at first sight; she offers to carry him away to safety. His answer is the whole of the man: “Fear of your wicked brother will never make me wake my mother and brothers, sleeping so comfortably here.” When Hidimba comes, Bhima takes hold of him and drags him thirty-two cubits away, and then farther, so that the sleepers are not disturbed; then he holds the body in his hands, bends it double, and breaks it through the middle. He turns on the sister next, and Yudhishthira stops him: whatever your anger, do not kill a woman. On his elder brother’s terms he gives her his word that he will stay with her until she has a son, and by that promise Ghatotkacha is born.
The One Who Went at His Mother’s Word
At Ekachakra the Brahmin who shelters the brothers weeps with his family: by the town’s rota it is his turn to send the rakshasa Baka his meal, and a human being with it. Kunti brings the Brahmin to Bhima and asks him to take on the hard thing, and his answer is four words long: “I will do it.” Yudhishthira comes home and asks his mother what task she has given the man on whose arms they all sleep soundly at night, and Kunti tells him to have no fear for Bhima. In the morning Bhima carries Baka’s food into the forest and sits down in front of the rakshasa to eat it himself. Baka curses him, rains blows on his back, and Bhima never lifts his head until the last of the meal is gone; then he rises, and Baka’s back breaks across his knee, and the body is left at the town gate before dawn without anyone seeing who brought it. In the hall of the Panchalas, when the kings rise in fury because Drupada’s daughter has garlanded a young man in a Brahmin’s dress, Bhima tears up a great tree, strips its leaves, and stands beside Arjuna with it, and lifts Shalya, king of Madra, in his arms and throws him clear; by that feat Krishna knows the two for Kunti’s sons. In Jarasandha’s capital, when three men in Brahmins’ dress challenge the king of Magadha, Jarasandha chooses Bhima to fight, and the two wrestle without food or rest from the first day of the fortnight to the thirteenth. When the king tires, Krishna says it: “Show him today the strength you have been fortunate enough to receive, the power you inherited from your father, the wind god Maruta.” Bhima lifts Jarasandha into the air, whirls him a hundred times overhead, and presses his knee against the king’s backbone and breaks his body in two.
The Vows Made in the Hall
In the dice hall Bhima’s first anger rises against his own brother. Yudhishthira has staked Draupadi, and Bhima turns to Arjuna: “If I had not known that the king acted by Kshatriya usage, Arjuna, I would have taken both his hands by main force and burned them in a blazing fire.” Then Duhshasana drags Draupadi into the hall by her hair, and Bhima, wringing his hands, his lips trembling, speaks before all the kings: “If Bhima, the son of Pritha, does not tear your breast open in battle and drink your lifeblood, may he never reach the worlds of the blessed.” Duryodhana pulls back the cloth from his left thigh and shows it to Draupadi where she cannot help seeing it, and the second vow follows: “May Bhima never reach the worlds his ancestors have reached, if he does not break that thigh of yours in the great battle.” Sparks of fire come from every organ of his senses, as sparks come from every crack in the trunk of a burning tree. After the second game Duhshasana dances through the hall crying “Cow, cow,” and as the brothers walk out Bhima counts off what is coming: Duryodhana felled by his mace and his foot set on the man’s head, “and this other wicked man, Duhshasana, who is so bold with his tongue: I will drink his blood as a lion does.” Thirteen months later, by the lake at Dvaitavana, he stands before Yudhishthira and speaks the way a man speaks who has held his tongue for thirteen months. The kingdom was taken by loaded dice, “the way a weak offal-eating jackal snatches the kill from mighty lions,” and crying dharma, dharma, the king has lost his manhood; let the army march on Hastinapura today. Yudhishthira‘s answer is one of the steadiest sentences in the poem: “Kingdom, sons, fame, wealth, all of them together do not come up to a sixteenth part of truth.” Bhima comes back from the other side, arguing from time, that by the reckoning of the wise thirteen months already count as thirteen years, and that fails too.
The Tail That Would Not Move
On Gandhamadana the wind carries a saugandhika lotus to Draupadi, and she wants more, and Bhima sets off alone to find them. In a grove of plantain trees a monkey lies across the path and will not get up. Bhima tells him that Hanuman, who leaped a hundred yojanas of sea in a single bound, is his own brother, that he is Hanuman’s equal in strength, and that the monkey can clear the road or see what he can do. “Be kind to me and go on; only move my tail out of your way.” Bhima takes the monkey for a creature with no energy in him and catches the tail with his left hand, carelessly, and it does not stir. He takes it in both arms and pulls; his brows knit, his eyes roll, his whole body runs with sweat, and the tail stays where it is. He goes around to the monkey’s side with his face lowered in shame, joins his palms, and asks who he is, and when the monkey gives his name Bhima bows to him and says, “No one is more fortunate than I am. Today I have seen my elder brother.” In the same forest he cuts off the head of Jatasura, who had carried off Draupadi and three of the brothers in a Brahmin’s disguise; at the lake of the Yaksha he finds his brothers lying dead, decides that today there will have to be a fight, and drinks first so as to be fit for it, giving the voice’s questions no answer at all, and drops down dead where he stands. In Virata’s city the same man is Ballava the cook, and at the festival of Brahma he catches the wrestler Jimuta in his arms as a lion catches an elephant, swings him a hundred times, and kills him. When Kichaka kicks Draupadi before the whole court, she comes to the kitchen at night, and Bhima covers his face with his wife’s hands, soft hands now hard with calluses, and weeps into them. Then he tells her that this news gives him the joy he felt when he killed Hidimba, and that night, in the dark of the dancing hall, he crushes Kichaka’s head as an elephant crushes a wood-apple.
Blood, and a Thigh
On the seventeenth day of the war Bhima’s mace smashes Duhshasana’s chariot, and in that moment he remembers the hair dragged across the hall and every insult laid on Draupadi while her husbands sat with their faces turned away. He tells Karna and Duryodhana that he will kill Duhshasana now, and whoever can protect him should try. He leaps down from his chariot, sets his foot on Duhshasana’s throat, cuts open his chest where he lies, and drinks his warm life-blood. “I count the taste of my enemy’s blood above my mother’s milk, above honey, above clarified butter, above good wine made from honey, above sweet water, above milk and curds and buttermilk, above every drink on earth that is sweet as nectar.” Every soldier near enough to see him drink runs, and as they run they tell one another, “That is no human being,” and, “This Bhima must be a Rakshasa.” The poem hides none of it and softens none of it. Soaked in blood, Bhima tells Krishna and Arjuna that the first vow is kept and the second is next. The second comes on the eighteenth day, with Balarama, teacher of both men in the mace, back from his pilgrimage and seated to watch. Duryodhana strikes Bhima on the head and on the chest and stuns him, and Krishna tells Arjuna that by the rules of fair combat Bhima will never win. “At the time of the dice, Dhananjaya, Bhima vowed that in battle he would break Suyodhana’s thighs with his mace. Let Bhima keep that vow.” Arjuna slaps his own left thigh before Bhima’s eyes. Duryodhana leaps to avoid a blow, and while he is in the air Bhima’s hurled mace breaks both his thighs. Bhima walks up to the fallen king. “O wretch, once you laughed at the disrobed Draupadi in the assembly and called us, fool, ‘Cow, Cow!’ Bear now the fruit of that insult!” And he touches the head of his fallen foe with his left foot. Yudhishthira rebukes him. Balarama raises his arms and cries, “Fie on Bhima, fie on Bhima!” and rushes at him with his plow, and Krishna holds him back: the vow was sworn in the hall, and the sage Maitreya had long ago cursed Duryodhana with exactly this, so “for all this I see no fault in Bhima.” Balarama leaves saying that by killing a righteous king unfairly the son of Pandu will be known in the world as a crooked warrior.
The Iron Statue, and Fifteen Years
After the war, on the bank of the Ganga, Dhritarashtra embraces Yudhishthira and then feels about for Bhima, and Krishna, who has read the old king’s mind beforehand, pulls the real Bhima back and sets in front of him a statue of Bhima made of iron. Believing he holds Bhima himself in flesh and blood, the king crushes it to pieces with the strength of ten thousand elephants, crushes his own chest doing it, vomits blood, and weeps, “Alas, Bhima! Alas, Bhima!” Krishna tells him that he has killed no one; it was an iron figure, and the real man was pulled out of his embrace because Krishna knew what was in his heart. For fifteen years after that Dhritarashtra lives in the palace honored like a father, and there is one heart in that palace in which the hall of the dice game has never stopped burning. One day Bhima stands among his friends where Dhritarashtra and Gandhari can hear him and slaps his armpits, the gesture of a wrestler about to fight. “The sons of the blind king, who could fight with every kind of weapon, have all been sent to the other world by me, with these two arms that are like a pair of iron clubs.” Gandhari treats the words as untrue and bears them; Dhritarashtra breaks inside and asks leave to go to the forest. He wants to make gifts for the dead from the wealth Bhima won, and Bhima answers in anger that the brothers will perform the rites for Bhishma and Drona themselves; has the king forgotten who asked Vidura in the dice hall whether the stake had been won? Yudhishthira silences him. On the day of the departure that same Bhima walks behind the old king with his throat tight, and when Kunti walks out of the city with the old couple he asks her where this wish came from, now that the kingdom is won and the time has come to enjoy it. On the great journey, on the climb into the Himalaya, Draupadi falls, then Sahadeva, then Nakula, then Arjuna, and each time Bhima stops to ask why, and each time Yudhishthira answers without breaking stride. Then Bhima falls. “Look at me, my king. I am the one you love, and I have fallen. For what reason have I gone down? Tell me, if you know it.” “You were a great eater, Bhima, and you used to boast of your strength. When you ate, you never gave a thought to what others needed. That is why you have fallen.” And Yudhishthira goes on without looking back, with only a dog beside him.
His Path
Three Stops, Three Questions
Three places where Bhima gives his word, loses, or keeps his word. Pause at each one.
- Hands in a blazing fire. Read the second dice game and the departure for the forest, the hall where Bhima turns first on his brother and then on his enemies. Ask: how does a man who can speak of burning his own brother’s hands spend thirteen years under that brother’s orders?
- Two arms, one tail. Read the Gandhamadana story, from the plantain grove to “Today I have seen my elder brother.” Ask: a man who has broken every strength he has met bows his head to a tail; what does the bowing give him?
- A vow and a rule. Read the mace duel, and set it beside the blood of Duhshasana. Ask: Balarama‘s curse and Krishna‘s defense stand over the same scene; which side does the poem take, or does it take none?
At the end, return to the first scene, where the rock is breaking into a hundred pieces. Does that strength still look like nothing except a gift?
Hidimba, Ghatotkacha, and Shelter at Ekachakra · A rakshasa dragged thirty-two cubits from the sleepers, and a promise from which Ghatotkacha was born.
The Wrestling Match with Jarasandha · Thirteen days of grappling, one sentence from Krishna, and a backbone broken across a knee.
The Forest Retreat of Dhritarashtra, Gandhari, and Kunti · Armpits slapped after fifteen years, and the same man walking behind the blind king on the day he leaves.
The Man Who Kept Every Word with His Body
Strength keeps arriving in Bhima’s life, and each time a promise arrives with it. A word to Hidimba’s sister, and Ghatotkacha; two words to his mother, and Baka’s broken back; two vows in the hall, blood and a thigh, and both kept on the seventeenth and eighteenth days, one in a way that makes an army call him a rakshasa, the other in a way that brings his own teacher at him with a plow. The poem sets Krishna’s defense and Balarama’s curse side by side over the same fallen king and flattens neither. In the middle of all that strength stand two scenes where strength is no use: a tail that would not move, where bowing his head wins him an elder brother; and an iron statue that is broken in his place. For fifteen years the dice hall burns in him, and on the day the blind king leaves he still walks behind him weeping. Yudhishthira‘s answer on the mountain is the account of that same strength: when he ate, he never gave a thought to what others needed. The strength that broke the rock stayed with him to the end; every word that came with it was kept with his body, and his body paid for it.
Edition and source passages
Main edition: the Gita Press Mahabharata, Sanskrit with Hindi translation; quoted speech follows K. M. Ganguli’s English translation of the same text.
Passages for this reading: the birth and the rock: Adi Parva, Sambhava section; the poison and the realm of the nagas: Adi Parva, Sambhava section. Hidimba and Ghatotkacha: Adi Parva, Hidimba-vadha section. Baka: Adi Parva, Baka-vadha section. The tree at the svayamvara: Ganguli Adi 185 to 202. Jarasandha: Sabha Parva, Jarasandha-vadha section. The vows at the dice: Ganguli Sabha 60 to 65 and 76. The debate at Dvaitavana: Ganguli Vana 28 to 29. Gandhamadana, Hanuman, and Jatasura: Vana Parva, Tirtha-yatra section. The questions of the Yaksha: Vana 311 to 313. Ballava and Kichaka: Virata Parva, Kichaka-vadha section. The death of Duhshasana: Karna Parva, Ganguli 83. The mace duel: Shalya Parva, Gada-yuddha section, Ganguli 55 to 60. The iron statue: Stri Parva, Ganguli 12. The fifteen years and the forest retreat: Ashramavasika Parva 1 to 15. The great journey: Mahaprasthanika Parva 1 to 2.
What this edition covers: a character portrait drawn from the whole Mahabharata, with three marked reading questions.
Limits and differences: the episodes rest on the Mahabharata chapters in this library; some of those chapters follow Ganguli’s section numbering, so the Gita Press chapter numbers can differ there. Sentences in quotation marks follow the English of those chapters.