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Bhagavatam · The Deliverance of Ajamila

Katha 18 · Stories of the Bhagavatam

The Deliverance of Ajamila

One Name That Carried a Drowning Man Across
Skandha 6, Chapters 1-2

Parikshit folded his hands and looked at Shukadeva.

“Bhagavan, one thing has settled deep inside me. My days are numbered now, and there is much in my life I did not set right. My mind keeps asking how a single last moment can undo the errors of so many years. Does the Name truly hold such power that it can carry even a drowning man across?”

Shukadeva was quiet for a while. Then that faint glow came over his face, the one that appeared whenever the talk turned to Hari.

“Rajan, men try to buy back their wrongs with penance. A fast, a gift, a river bath, a pilgrimage counted off like coins. Penance has its use. Yet a man who has not mastered himself will sin, atone, and sin again, the way an elephant walks out of the river it has just bathed in and throws dust over its own back. The stain returns because the root was never touched. Two things reach the root. One is knowledge of the self, which burns away the ignorance a sin grows from. The surer one is love of the Lord, the single road with no fear anywhere along it. A man who has once set his mind on the feet of Hari never so much as sees the noose of Yama, even in a dream.”

“So hear this, and keep it close. In the city of Kanyakubja, the one you now call Kannauj, there once lived a brahmin named Ajamila. Hear how he lived and how he died, and you will see for yourself that the Name waits for no one’s worthiness.”


In his youth Ajamila was a master of the shastras, a home of good character and right conduct. Celibate, humble, master of his senses, devoted to truth, and pure. The inner meaning of the mantras lived in him. He poured oblations into the sacred fire and served his guru, his guests, and his elders. He wished the good of every creature and never went looking for faults in anyone’s virtues.

On a sunlit forest path the young brahmin Ajamila, carrying fruit, kindling-sticks and kusha grass, halts and stares at a drunken low-caste shudra man embracing and flirting with a tipsy maidservant in disordered garments who laughs and sings; classical Indian painting, lush green trees, warm earthy palette, Ajamila's troubled face.

One day, at his father’s bidding, he went to the forest, and was returning with fruit and flowers, kindling, and kusha grass. On the way his eyes fell on a couple. A dissolute shudra, drunk and reeling, and with him one of his serving women. She too was heavy with wine, her eyes swimming, her clothes half undone, laughing and singing without a care. The shudra had his arm around her and was courting her.

In that single moment something inside Ajamila tilted. The shastras were still in him, and now this fire was in him too. He fought with all his patience and learning to hold his mind back, and the mind would not be held. The fire won.

He came home, and he came home changed. The thought of that woman circled his mind and would not leave. Within a few days he had set aside his high-born wedded wife, a brahmin girl still in the prime of her youth, and brought the serving woman into his house.

The people of Kannauj began to murmur behind their hands. The pandit’s son, the one who knew the mantras, now living with that wayward woman. None of it touched Ajamila at all.

To feed that woman’s household he let go of every boundary the shastra had taught him. Sometimes he waylaid travelers, bound them, and robbed them; sometimes he emptied a man’s purse at dice; this one’s wealth he took by fraud, that one’s by theft. When fair means and foul both fell short, he did not spare even the lives of helpless creatures. He handed his father’s whole estate over to her, and by this contemptible trade he kept the household fed.

The years rolled on. Ten sons were born. Each was given some ordinary name.

But the youngest of them all he named “Narayana.”

Why, he himself did not know. Perhaps somewhere within him a trace of his forefathers’ samskara had survived, and had anchored itself in that one name.

The youngest boy was dearer to him than breath, the light of an old father’s eyes.

An aged, white-haired Ajamila beaming with tender delight at his beloved youngest toddler son named Narayana, who babbles and plays childishly in a modest home courtyard; doting old father leaning toward the small child, soft golden light, warm domestic classical-Indian colour illustration.

He trailed the child all day long. The boy’s lisping talk and small games left him unable to contain his delight. “Narayana, come here. Narayana, eat now. Narayana, go to sleep.” From morning to evening that one name lived on his tongue.

He had no inkling whose name he was repeating day and night.

In this way eighty-eight years went by.

Ajamila grew old, then ill. His breath began to fail. Lying on his bed, counting out his last days, his mind still turned around that boy Narayana.

And then three figures stood before him. The Yamadutas.

Three terrifying messengers of Yama with crooked twisted faces and bristling body-hair loom over the dying old Ajamila on his sickbed, dragging his luminous subtle body out by a noose; dark dramatic palette, fearsome figures, the gaunt bedridden brahmin gasping in terror, classical Indian painting.

Their mouths were crooked and twisted, the hair on their bodies stood bristling, their forms terrible past bearing. They took hold of his subtle body and began to draw it out from within his heart.

Ajamila’s eyes flew wide. His throat went dry. His breath seemed to jam in his chest.

In that panic his gaze fell on the doorway. There, a little way off, his youngest son was playing. Narayana.

Out of sheer terror, the way a drowning man cries out for anything to hold, he called his son in a long, loud voice. He was calling the child, only the child, the boy he wanted to see one last time.

“Narayana!”

The son did not hear. He stayed lost in his game.

But one thing happened at once.

With that one cry, a light came into the room that had not been there before. Four beings stood where there had been none. They were young and shining, robed in yellow silk, crowned, hung with lotus garlands and earrings that held their own light; their eyes were long and calm as lotus petals, and each of them had four arms, one holding a conch, another a discus. The dark of the sickroom fell back before them. They had heard, in a dying man’s cry, the name of their own master, Bhagavan Narayana, and they had come at speed.

Radiant divine Vishnudutas, attendants of Lord Vishnu with serene lotus-eyed faces and luminous bodies, stride forward and forcibly seize and halt the noose of the three dark Yamadutas above Ajamila's bed; confrontation of light versus shadow, glowing celestial colour, classical Indian devotional art.

The Vishnudutas stepped between Ajamila and the noose and stopped it by force, just as the Yamadutas were drawing the life out of his heart.

“Stop. This man is ours now. Your right to take him from here has ended.”

The Yamadutas drew back, startled. In all their long service no soul had been lifted out of their hands. “Who are you,” they said, “to overrule the command of Yama himself? Whose messengers are you, and where have you come from? You are like no gods we have ever seen. Why do you stand in our way?”

The Vishnudutas laughed, a sound with no mockery in it, and answered in a voice that rolled like far thunder. “If you truly serve Yama, then tell us first what dharma is, and how it is known. Tell us how punishment is measured, and on whom it falls, on every soul that acts, or only some.”

The Yamadutas answered as they had been taught. “Dharma is what the Veda commands, and adharma is what the Veda forbids. And the Veda is no made thing. It is the very breath of Bhagavan Narayana, risen from him without effort, so its word is his word. Every deed a man does is seen. The sun and the fire, the sky and the air and the moon, the two twilights, the day and the night, the eight directions, the water and the earth, Time itself, and Dharma the lord of the reckoning, all of them stand witness to what a creature does. By their evidence a wrong is known for a wrong, and every embodied soul answers for its acts in the exact measure it performed them. This man was weighed on that scale.”

And they set out the life you have already heard: the learned brahmin who saw a drunken shudra fondling his woman on a forest path and lost himself, who cast off a faithful young wife, emptied his father’s house, and lived by robbery and fraud into his old age. “His account is black from the first year to the last,” they said. “He has done no true penance. Our orders are to carry him to Dharmaraja, where punishment will burn him clean.”

The four heard them out. Then they answered, and there was grief in it. “What a sorrow, that unrighteousness should walk into the very court of those who know dharma. If the keepers of the law strike a man who has not earned the rod, where is the rest of the world to go for shelter? The common man watches what his betters do and does the same. He lays his head in their lap and sleeps, trusting them to know right from wrong.”

“Now hear what you have overlooked. This man has not balanced the wrongs of one life alone. In his last helpless breath he spoke the name of Hari, and that one name has answered for the sins of millions of lifetimes behind him. He cried out ‘Narayana,’ four syllables, meaning only to call his boy, and even that much was enough. That name is the whole atonement for every kind of sinner there is: the thief, the drinker, the man who betrays a friend, the killer of a brahmin, the one who defiles his teacher’s bed, and any other you could name. For the moment the name leaves a man’s tongue, the Lord’s own mind turns toward the one who spoke it.”

“You put your trust in fasting and penance and charity to wash a man clean. They lift the sin from the surface. The seed of it stays buried, and from that seed the same sin grows again, which is why a man atones and falls and atones once more. The name of Hari, and service at his feet, burn the seed as well. Nothing else reaches it.”

“And the name asks nothing of the one who speaks it. Said as a hint, said in jest, dropped as the refrain of a song, thrown out even in scorn, it destroys sin all the same. A man who calls some name of the Lord without meaning to, because he has stumbled, or been bitten by a snake, or gone hot with fever, or broken a bone, is beyond the reach of hell from that instant. Fire does not ask whether the hand that lit it knew it would burn. It takes the fuel the same, whether a wise man strikes the spark or a child who has no notion what fire is. A strong medicine heals the man who swallowed it by chance exactly as it heals the man who knew what he was taking. The name works like that. It worked in this man, though he never knew what he held.”

“So do not drag him down the wrong road. He has spoken the Lord’s name, whole and aloud, at the hour of his death. He is not yours.”

Ajamila lay on his bed and heard all of it. Each word sank further into him. In all his years it had never once crossed his mind that the name he had been calling so carelessly, up and down the house, carried a force like this.

The Yamadutas had nothing to set against it. They let go their hold, turned back to Dharmaraja, and laid the whole account before him exactly as it had happened.

Free of the noose and free of fear, Ajamila was himself again. He bowed his head to the four, and as the tears came, so did an understanding he had never had before.

The name he had called for years, for a child, had been all along the name of that same Shri Hari he had turned away from in his youth. Without meaning it, without a flicker of devotion, he had said “Narayana” more times than he could count. And that unknowing repetition had turned him back today from the door of death.

Now the memory of his sins came over him, and with it a deep remorse. “What a slave of my senses I have been. I abandoned a faithful, innocent wife, left my old and austere parents with no one to lean on, and pressed the mark of disgrace onto my own line. And still the Lord’s most auspicious name came to my tongue, and I was carried across.”

The Lord’s attendants watched him, and the moment he seemed ready to say something more, they vanished where they stood.

Ajamila’s illness left him. He sat up.

This time the change held. He left it all behind, house and sons, the woman, everything, and set out for the place where the Ganga comes down onto the plains, the town men now call Haridwar. Seated in the Lord’s shrine on the river bank, he took to the path of yoga. He drew his senses back from the world and gathered them into his mind, and he fixed the mind on the Lord who is pure consciousness. The name that had lived on his tongue his whole life now, for the first time, settled into his heart as well.

On the bank of the Ganga at Haridwar, the redeemed Ajamila, now in a divine four-armed Vishnu-attendant form like the Vishnudutas beside him, ascends seated on a glowing golden vimana toward Vaikuntha, abode of Lord Lakshmipati; river and temple below, radiant sky, jewelled celestial colour, classical Indian painting.

Before long, there on the bank of the Ganga, he let his body go. In that same instant the four stood before him again. This time they carried no noose. Ajamila took on a form like theirs, and seated among them on a golden vimana he rose through the sky to Vaikuntha, the abode of Bhagavan Lakshmipati, the husband of Sri.

Manthan

Shukadeva stopped there. Parikshit sat a long while without speaking, then said it slowly.

“Bhagavan, one knot is left. If even a name spoken in ignorance can undo a lifetime of sin, then any man could say: let me live as I please, and speak the name once at the end. What is left, then, of the line that dharma draws?”

Shukadeva smiled. “Rajan, the man who sins on the plan of speaking the name at the end finds, at the end, that the name will not come. The fear of death gives a man back only what he stored in himself while he lived. Ajamila struck no bargain. For years, morning and evening, past all counting, he had called that name aloud. When the terror came, that long habit rose to his tongue on its own. He cried it out at the top of his voice, with no thought of God in it, and even that was enough, because the name was already real in him.”

“So the power of the Name is real,” Parikshit said, “and no cunning unlocks it.”

“The Name carries its own power, Rajan. Shri Hari is never far from his name. And the name reaches the lips only when it already lives within. Ajamila, blind as he was, had bound the whole wealth of a lifetime into a child’s name, and Shri Hari did not overlook that wealth. Remember what his own rescuers said. He spoke the name meaning only his son, and it carried him home. Think, then, what it must do for the man who speaks it meaning the Lord.”

Parikshit closed his eyes. The fear of seven days no longer sat so heavily on him.

Literary context

The story of Ajamila runs through the first and second discourses of Skandha 6 of the Shrimad Bhagavata. It is the boldest statement of the power of the Name anywhere in the Bhagavata. Its center is the argument between the Vishnudutas and the Yamadutas in the second discourse (6.2), where the teaching that the Name works by its own force, even when it is spoken without intent, is laid out in full. The famous shloka ‘साङ्केत्यं पारिहास्यं वा…’ (6.2.14) belongs here. The discourse that follows (6.3) carries it further. The Yamadutas report back, and Yama himself tells them that the Supreme Lord stands above him, that in all creation only twelve knowers truly grasp his dharma, and that they must keep away from anyone who has taken refuge in the Name, for such a soul is past the reach even of Death.

Why this story matters now

Ajamila strayed his whole life, and one name taken in his final moment carried him across. This story is hope for anyone who believes it is already too late. The Name waits for no one’s readiness, and that is the shelter it offers.

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