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King Janaka’s Awakening

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King Janaka’s Awakening

He was about to set his foot on the sacrificial altar when an unseen voice spoke a single sentence, and he stopped where he stood, and after that his whole life became something else. Later, when Shukadeva came to see him, Janaka had himself become another story.

Evening was coming down over the Sarayu when Rama asked, “Gurudev, does knowledge come only through years of austerity?”

Vasishtha said, “Rama, knowledge arrives in a single moment; it is only that, before that moment, a great deal has already been made ready within. There was once such a king, Janaka of Mithila, into whose life there came one night, one song, and everything changed.”

Mithila

King Janaka of Mithila in white dhoti and rudraksha mala seated alone at twilight on his palace verandah, gazing over a jasmine garden toward a river and distant temple domes, an oil lamp glowing beside him, his face calm yet inwardly restless; rich painterly classical Indian color illustration, dignified

Janaka was the king of Mithila, and all day he was given over to the work of the realm: justice, borders, the people, all of it rested in his hands. When evening fell he would sit alone for a little while on that verandah of his palace, the one from which the garden could be seen and in which jasmine stayed in bloom.

From the outside he seemed calm, yet within him a deep thirst kept him restless.

He had put this question to the brahmins, put it to the rishis, put it to the wise, and each of them had told him something or other, and still that thirst inside him had not been quenched.

One night he was sitting on that same verandah, and in the garden the scent of jasmine had grown heavy and drifted through the air.

Just then, from far off, a song reached his ears.

The song was neither very sweet nor pitched very high, yet its words were of a kind Janaka had never heard before.

Beyond the moonlit garden, a small group of luminous siddhas gathered near a temple sing together, their song drifting on the night air, while Janaka on his arched verandah tilts his head to listen, heavy jasmine blossoms in the foreground; rich painterly classical Indian color illustration, dignified

Beyond the garden, near a temple, a few siddhas were singing together.

Janaka sank into that song and began to listen with all his attention.

“That which stands behind every form, from it come all forms. That which stands behind every word, from it come all words. That which stands behind every breath, from it come all breaths. That is what you are. That is what I am. That is everything.”

Those words brought Janaka to a stillness that reached all the way inside him.

He gathered this up and kept it within himself, that there is one who stands behind every form.

My body is a form, my mind is a form, my kingdom is a form, my wife is a form, and my daughter too is a form.

So behind all these forms, who stands in the end?

Carrying this very question, Janaka closed his eyes.

Then he rested upon the one who stands behind every word.

When I speak, words come; but those words, where do they come from in the end? What I am thinking now, this thought too, where is it coming from?

Before every word there is a silence, and before every thought there is a hush, and in that silence, who in the end is seated?

The answer came from within, that I am.

But then, who is that I?

Now he rested upon the one who stands behind every breath.

Janaka listened to his breath and watched it all the way inside, the breath going in and then coming out.

Between the two of them a single moment held still, and in that very moment Janaka too grew still.

And then, in that moment, something happened that will not be bound into words.

Janaka in deep meditation on his moonlit balcony, eyes closed, face luminous in the instant of awakening as the burden of identity lifts; a radiant translucent witness-self emerges as a glowing aura of golden light behind and around him, jasmine and silence; rich painterly classical Indian color illustration, dignified

Within Janaka all forms became one, the word too became one, and the breath too became one. The weight of identity he had been carrying was lifted, and the witness who had been seated behind him now came and stood before him.

That is what you are.

In that very moment Janaka recognized himself.

When he opened his eyes, he was no longer the same old Janaka.

Outside, everything was just as it had been, yet within him everything had changed.

In the garden the jasmine was still in bloom, the temple’s song still echoed, and the wind still moved.

But now Janaka was within all of them and also beyond all of them, because in truth he was the witness standing behind them all.

The next morning he carried out the work of the realm just as he did every day. The ministers came and began to lay out their matters, Janaka went on listening to them, and when one of the people came asking for justice, he heard the whole of it and rendered justice too.

Seen from above, everything was just the same.

But within, Janaka had by now arrived somewhere else entirely.

One minister said softly, “The king is at great peace today.”

Janaka said, “Minister, we were always at peace; only today we have come to know that peace of ours.”

Years later, the liberated King Janaka enthroned beneath a royal parasol in his columned court hall, serenely receiving the young sage Shuka who approaches with reverence; ministers and ascetics arrayed around, oil lamps and a temple glimpsed through the arch; rich painterly classical Indian color illustration, dignified

Many years later, when the sage Shuka came to him, he already knew that Janaka was a strange sort of king. He runs a kingdom while inwardly he is no king; he speaks with his people while in truth belonging to no one; and he is known by the name of Janaka while being no longer that Janaka at all.

That night Janaka had been sitting on a verandah in Mithila, the jasmine in bloom and a song coming from far off, and only that much had been enough.

Rama asked, “Gurudev, will such a moment come for me as well?”

Vasishtha said, “Rama, that moment comes for every single person; it is only that one does not know in what form it will come. Perhaps it will be a song, perhaps a shloka, perhaps some word you overhear on some road, perhaps a passing wind; or perhaps there will be nothing at all, and you will simply be sitting as you are and all at once you will know.”

Rama stayed sunk in that thought for a while.

On the banks of the Sarayu there was no jasmine, yet the scent of some flower drifted softly, softly through the air.

Literary background

This story is based on the Yoga Vasishtha, its Upashama Prakarana (the book of quieting), cantos 5.8 to 5.12. It is the most famous example of the path of listening. The song of the siddhas and Janaka’s knowledge in that same instant are widely celebrated in the Vedantic tradition. In the Indian tradition Janaka became the very byword for the “living-liberated” (jivanmukta) king.

The philosophical view

Janaka is in the middle of an ordinary day. No great crisis, no years of austerity. Only the lines of a song sung by siddhas fall upon his ears. He sits down to think over those lines, and as he sits, he awakens. He rises a different person. The story says that a span of austerity is no necessary condition for realization; in a single moment of listening and reflection the whole turn can come, if the one who listens is ready.

Ramana Maharshi (1879-1950) came to his own awakening at the age of sixteen, in a room in Madurai, with no guru and no prior preparation, through a single jolt of the fear of death. His Who Am I? (Nan Yar?, first published in 1923) is the gist of exactly this experience. The tone of Janaka’s story stands very close to Ramana’s own: that realization calls for no hoard of accumulated merit; it is the right answer to the right question in the right moment, and that answer is already there within, from the start.

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